Time Together
(Scribe Publications, March, 2025)
Praise for Time Together:
‘A slow burn of a novel. Beautifully written and impossible to put down. I loved it.’
SOPHIE CUNNINGHAM
‘An artful, deliciously acerbic portrait of family, friendship, and the indignities of middle age. Horton is a master of domestic unease.’
LAURA ELIZABETH WOOLLETT
‘I’ve been longing for an Australian novel like this: one riffling through the feeling of being forty-something in the 2020s—uncertainty and faint regret around careers or relationships, clocking the exodus of youth from the body, navigating the decline or loss of parents while perhaps parenting yourself, daring to nurture modest hopes for the future. In the context of these life passages, how do you remain close to adored old friends, and what are the functions of friendship?’
DION KAGAN, Meanjin
‘Luke Horton is an acute observer of people … Horton's latest novel, Time Together, takes place on another holiday, and it's a deft exploration of the fraught territory of middle age: raising children, navigating relationships, losing parents and reconciling past versions of oneself with the present.’
NICOLA HEATH, ABC Bookshelf, ‘The best books released in March’
‘Luke Horton (The Fogging) beautifully encapsulates the triumphs and frustrations of friendships, relationships and parenthood in Time Together … Time Together highlights the enduring power of friendships that are so deep and unwavering that they feel more like family and is perfect for fans of Tim Winton, Georgia Blain and Gabrielle Zevin. This whirlwind of a beach read will make you laugh, cry and cherish the ones you hold dear.’
AURELIA ORR, Books + Publishing
‘Horton writes authentically of this intimate interplay of warring insecurities, nostalgias, and unrealised aspirations … Cutting through this is Horton’s restrained, crisp writing, so unadorned with superfluity that his simple descriptions of nature and light resonate … Time Together culminates in a compelling rendering of personal and interpersonal tensions and the subterranean currents that shape them. Without sentimentality, Horton tenderly evokes the at times quiet, opaque nature of grief.’
JACK CALLIL, The Guardian
‘This book, Horton’s second novel, is a carefully crafted and gorgeously written character study that captures the ways in which friendships, especially long-term ones, are challenged by the pressures of middle age, where differences between experiences, ambitions and values become more pronounced, and where being friends for a long time might not be enough to keep people together. I found myself utterly engrossed in the group’s lazy days and the relationships unfolding on the page, learning the longer histories of the characters, the messiness of their love and lust, and changing loyalties.’
ALISON HUBER, Readings
Praise for The Fogging:
‘Claustrophobic and vertiginous … an unshrinking and skilfully drawn portrait of a decaying relationship. In restrained prose, Horton illuminates the darker edges of masculinity. His is a frequency finely tuned to silences, gaps of language and meaning, things left unsaid — and their cumulative weight. Like a brewing storm on an oppressive summer day, The Fogging is quiet but assured, building towards the thunderclap of its final pages.’
Jennifer Down, author of Our Magic Hour
‘The Fogging is disquieting, compelling, and scrupulously observed, exploring themes of mental illness, interconnectedness, and selfhood. Horton observes his characters with a clear and compassionate eye, rendering his protagonist’s utter humanity and chronic isolation with stark tenderness and an honesty that moves.’
Laura McPhee-Browne, author of Cherry Beach
‘I loved The Fogging. It’s such a finely controlled novel, so filled with creeping dread and yet so humane in its attention to psychological detail — those subtle doubts and delusions upon which relationships are built — that I could not look away. It raises the quiet inadequacies of ordinary life to the level of grand tragedy.’
Miles Allinson, author of Fever of Animals
‘Unsettling and dreamlike … humorous and yet lingeringly sad. We find ourselves so deeply buried alongside Tom in his introspection, his comic yet touching attempts at self- knowledge, that when the revelation of his misinterpretation of his own relationship arrives, the shock is a kick to the gut.’
Peggy Frew, author of Hope Farm and Islands
‘In this quiet, acute, and often painful book, the peculiarities of 21st-century love and adulthood are evoked stealthily, but all the more forcefully, thanks to Horton’s forensic and poetic approach to the subject.’
Shaun Prescott, author of The Town
‘Luke Horton’s writing is sustained, accomplished, and full of insight. The Fogging is haunting in its familiarity, his characters pervasive in their unwillingness to truly connect, with one another and with themselves.’
Anna Krien, author of Night Games and Act of Grace
‘Much of the pleasure of reading the novel comes from how Horton manages to distil complex social machinations into a few well-crafted sentences, summoning whole lives in brief set pieces from the couple’s various destination adventures … This is a gripping, subtle psychological tragedy for readers who enjoy unconventional travel literature with a focus on male personal identity, such as Miles Allinson’s Fever of Animals or Ben Lerner’s Leaving the Atocha Station.’
David Little, Books+Publishing
‘The Fogging is an intensely introspective debut.’
Bec Kavanagh, The Age
‘Horton’s observational prose is crisp and evocative, evoking both compassion for and frustration with its blinkered narrator. This is a devastating exploration of a relationship that seems solid until close inspection reveals a plethora of hairline cracks, spawned by unquestioning inattention and a persistent assumption that everything will somehow work out.’
Jo Case, InDaily
‘Luke Horton … is a musician with serious fiction-writing chops.’
Louise Swinn, The Saturday Paper
‘A book about a relationship which features a male protagonist who is essentially a flawed individual with anxiety issues seems timely and welcome.’
Phil Brown, The Courier Mail
‘The Fogging, a remarkably assured début, is bold and striking in its approach and voice. Horton has great control over his characters and their perspectives; he unfurls the narrative slowly and with considerable subtlety … The book is a portrait of indecision and inarticulateness, and the havoc they can wreak, however quietly and unintentionally, upon a life.’
Fiona Wright, Australian Book Review
‘The portrayal of tension is spot on in this book, of particular note is Horton’s rendering of the insidious impacts of anxiety. Where anxiety doesn’t draw attention to itself, where a panic attack can be hidden, it can still be quietly destructive. The sense of dread is sustained through the novel, everything Tom fears may well come to fruition in a self-fulfilling prophecy. Minor sins – avoidance, silence, overthinking, unkind thinking – start to pile up into calamity. Horton traces this quiet destruction with great insight, and empathy.’ 4.5 STARS
Erin Stewart, ArtsHub
‘Utterly addictive.’
Julie Rieden, Australian Women’s Weekly
‘The Fogging is a masterfully subtle character study that recalls the slow-burn psychological payoffs of Patricia Highsmith novels … Especially poignant in the gladiatorial grappling for position that hides within everyday conversation, which Horton examines with forensic precision.’ FOUR STARS
Doug Wallen, The Big Issue
‘A deeply enthralling, deft gem of a book.’
Fiona Wright, The Guardian
The Fogging
(Scribe Publications, 2020)
Highly commended for the 2019 Victorian Premier’s Award for an Unpublished Manuscript
Featured in The Guardian’s ‘20 best Australian books of 2020’
Featured in the Paperback Bookshop’s ‘Ten Best Books of 2020’